Adele’s white pant suit in her Oprah interview sent a strong message


While Adele’s resurrection continues with the double punch of an Oprah Winfrey interview and a “One Night Only” concert at the Griffith Observatory in Los Angeles in front of a starry crowd – all as a prelude to an album release on Friday – so does her mastery of the art Image; her message of strength and freedom after divorce, as told through every performative tool at her disposal. Including her lyrics, her interview and (yes) her clothes.

Not so much the black taffeta Schiaparelli mermaid dress she wore to take the stage for her concert, but the white pants suit she wore for her one-on-one interview with Oprah.

The white pantsuit, for example, when she talked about leaving her marriage “and finding my own happiness”, about the joy of lifting weights, about quitting drinking, feeling safe in her new self, having her own body image and don’t care what other people thought.

A white pant suit: it is increasingly the only item of clothing most associated with the liberation and empowerment of women on the public stage. At this point it is just as much a symbol as an outfit.

Adele just took the political and reminded the world that it is personal too.

Instead, if anyone thought the garment was a rebellious relic of the Trump era, it just broadened their response.

The emergence of the white pant suit as a cultural code began in the 2016 election when Hillary Clinton took the stage at the Democratic National Convention to accept her party’s nomination for president in white Ralph Lauren, a direct link between her position and the history of the Suffragists (one of their official colors was white) and the struggle of women to have their voices heard.

It was then adopted as a uniform during the election itself by women asked to wear #wearwhitetovote. Next, it became a sign of opposition during President Donald J. Trump’s first state of the Union against his more regressive ideas about gender (even Melania Trump wore a white pants suit on her first appearance after the public learned about the Stormy Daniels affair, what many speculated in was an obvious rebuke to her husband). Nancy Pelosi, in a white pants suit, stood in the halls of Congress to announce that the House of Representatives would begin drafting impeachment articles against President Trump; Alexandria Ocasio-Cortez on her Vanity Fair cover; Kamala Harris when she was elected Vice President.

(White suits also made a high profile appearance at the end of the 1996 film, The First Wives Club, in which Diane Keaton, Goldie Hawn, and Bette Midler play women who team up to get revenge on their ex and have a rousing finale give version of “You Don’t Own Me” wearing, yes, white suits.)

It’s possible that Adele just liked the idea of ​​wearing white, with its connotations of starting over and wiping the slate, or thought it would look good against the green of the garden where she hooked up with Oprah – though she might didn’t think of history at all. But it is also correct that the look she chose for the young black designer Christopher John Rogers, who was named Women’s Fashion Designer of the Year by the Council of Fashion Designers of America just a few days before the show, was originally … a skirt suit. It was Look 39 from his Resort 2022 collection, also known as Collection 008, and the only white style in a collection otherwise known for its use of bright colors.

Adele had it made into a pants suit. Given the subject of her album called “30” and the conversation with Oprah, it seemed pointedly appropriate. (So ​​much so, that even at the last minute, Oprah decided to change her outfit from a bright apricot Sally LaPointe suit to a neutral Brunello Cucinelli.)

Especially since, as Adele Oprah said, she “never wore white before. I’ll wear it for you. “

And so this symbol of solidarity from Washington jumped into the whole world.

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